Tomás Marco: Symphony No. 4 - Symphony No. 5

Symphony No. 4, "Espacio quebrado" (1987): I. Quasi star: Amplio (attacca)

Tenerife Symphony Orchestra

Symphony No. 4, "Espacio quebrado" (1987): II. Hiperborea: Ritenuto e calmo (attacca)

Tenerife Symphony Orchestra

Symphony No. 4, "Espacio quebrado" (1987): III. Almost a Rock: Giusto ben marcato (attacca)

Tenerife Symphony Orchestra

Symphony No. 4, "Espacio quebrado" (1987): IV. Solaris: Amplio e sostenuto

Tenerife Symphony Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): I. Achinech (Tenerife): Calmo e amplio

Czech Philharmonic Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): II. Ferro (Hierro): Con tensione expresiva

Czech Philharmonic Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): III. Avaria (La Palma)

Czech Philharmonic Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): IV. Maxorata (Fuerteventura): Con molta intensita expresiva

Czech Philharmonic Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): V. Tyteroygatra (Lanzarote): Deciso

Czech Philharmonic Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): VI. Amilgua (Gomera): Giusto giocoso

Czech Philharmonic Orchestra

Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): VII. Tamaran (Gran Canaria): Con moto

Czech Philharmonic Orchestra